And he is made to carry a role that is a cross between Vaasthavam (2006) and Pranchiyettan and the Saint (2010), which is a hard task for any actor. Of course, every dialogue has a humorous punch because it is a Biju Menon film.īiju Menon feels bogged down by expectations that this film carried with a title similar to his own successful Vellimoonga (2014). The film is written in Babu Janardhanan's signature style of flawed characters trying to outwit each other for their own betterment or survival, and dark or gloomy situations. But he comes into his elements as things start falling in place and then it is a game of wits between the two of them. In the beginning, Lolappan is a nervous wreck because he was returning from Pollachi after having a rendezvous with an actress while he had told his wife that he was going to Ernakulam for a meeting. The story moves forward as Rini goes to work clearing his boss from this case - from dealing with the person selected to be presented to the police as the driver of the car and to convincing the family of the victim not to go for a police case.
Now, we see how important a cog Rini is in Lolappan’s wheel. We enter their story when Lolappan hits a drunk Tamil labourer crossing the road in the middle of the night. He always gives an inflated figure for the work accomplished by him and keeps a hefty share for himself. He does every dirty work for Lonappan (except scouting for females, by his own boastful admission but he won’t be averse of doing it, if the need arises). Rini (Biju Menon) works for a dubious gold merchant and a film producer Lolappan (Innocent). It tells the story of a manipulative man whose definition of success is making money.
The latest in the list is director Jose Thomas’ Swarna Kaduva, written by Babu Janardhanan.
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